Movie Review – The Lodge

The Lodge (2019)
Written & Directed by Veronika Franz & Severin Fiala

There are lots of familiar elements at play in The Lodge. You have a stepmother figure whose purpose in the story is ambiguous, possibly malevolent. There’s a snowed-in cabin where the power goes out, cutting the lines of communication. Sleep is disturbed by noises in the night and troubling dreams of the landscape. There are even two kids who might be up to no good. All the pieces are there, but the execution just ultimately stumbles, and nothing ever comes together. The Lodge has so much promise but fails to deliver on that promise.

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My Favorite Movies of 1990

Goodfellas (directed by Martin Scorsese)
No film came out in 1990 that comes anywhere close to Scorsese’s mobster masterpiece. The scope of the movie is epic, covering every post-War decade in America up to the point the picture was released. Scorsese has a lot to say about the American Dream and the disgusting, reprehensible acts that must be committed for people to lock-in their own. There’s also pulsing energy to this film that would go on to inform the rest of the decade, the director sets us off on this roller coaster. Characters are manic and insane, always in macho posturing with each other, never willing to budge an inch lest they are perceived as weak within their community. Goodfellas is the anti-Irishman, while that film is muted and contemplative, Goodfellas is the story of a man in his prime, drunk on power and money, not yet to that point of self-reflection while reality comes slamming down on top of him.

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Movie Review – The Grifters

The Grifters (1990)
Written by Donald E. Westlake
Directed by Stephen Frears

The Grifters by Jim Thompson was published in 1963, and while the film adaptation takes place in contemporary 1990s Los Angeles, director Stephen Frears chooses to treat some aspects as anachronistic. The story features a character archetype that seems to fascinate moviegoers indefinitely, the conman or, in this case, the conman and the conwomen in his life. We love to see how duplicitous tricksters trick each other, often leading to tragic outcomes, where even the “winner” feels broken and lost because they’ve played their grift on someone important in their lives.

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Movie Review – To Sleep With Anger

To Sleep With Anger (1990)
Written & Directed by Charles Burnett

To Sleep With Anger is a mixture of things. It’s a meditation on modern urban family dynamics. It is a retelling of the Biblical stories all mashed together. The film is an extension of fears about nostalgia, especially in black communities who have lots of moments in history that they reasonably should fear. It’s ultimately hard to classify this picture into a single genre, which is a benefit and a flaw at times.

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Book Update: March-April 2020

Fiction

Instructions For a Funeral: Stories by David Means

I really disliked this collection for one main reason, Means’s prose is meandering so much that you completely disconnect from the character he’s giving a voice to. There are some alright pieces with a good core idea, but then the execution is soporific, leading me to realize I’d “read” three pages and not remembered a stitch of what I’d seen on the page. I’m a reader who loves literary fiction and even postmodern writing that plays with structures and voice. But this is just plain boring, with characters who never become compelling and lacking the urgency good short fiction possesses.

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TV Review – The Outsider

The Outsider (HBO)
Written by Richard Price
Directed by Jason Bateman, Andrew Bernstein, Igor Martinović, Karyn Kusama, Daina Reid, J.D. Dillard, and Charlotte Brändström

HBO’s The Outsider does not ease the viewer into its story. It explodes in the first ten minutes with the inciting crime, the brutal murder of an 11-year-old boy. The audience doesn’t see the act, but we are with the local man walking his dog, who comes across the crime scene. In a quick succession of camera shots, we see the mutilated remains that look like an animal savaged the poor child. Thus begins the first two hours of this adaptation of the Stephen King novel. I have to say, these opening two parts are amazing and had me riveted to the screen. Major props to Jason Bateman on directing and bringing such a simmering, tense atmosphere to the project.

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Movie Review – Reversal of Fortune

Reversal of Fortune (1990)
Written by Nicholas Kazan
Directed by Barbet Schroeder

I have faint memories of the names of Klaus & Sunny von Bulow in the late 1980s/early 1990s likely from episodes of A Current Affair or Inside Edition. I was a child, so I didn’t really know who these people were or what the reporters were talking about. As time has passed, it seems the von Bulows are becoming a forgotten piece of pop culture, fading from the collective memory as our 24-hour news cycle floods us with new information. So who are these people that they would devote a whole movie about them based on a book by Claus’s lawyer, Alan Dershowitz?

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How I Read A Poem: The Second Coming by W.B. Yeats Part 2

Last week, we began a look at The Second Coming by W.B. Yeats by looking at vocabulary choice and a close read of the first stanza. In this second part, we’re going to look at the longer second stanza and get some background on Yeats that I think will help understand the context of the poem. Here’s the full poem for a re-read:

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Movie Review – Total Recall

Total Recall (1990)
Written by Philip K. Dick, Dan O’Bannon, Ronald Shusett, and Gary Goldman
Directed by Paul Verhoeven

Total Recall is not the best film ever made. It’s not even the best science fiction movie, but it is a beautiful example of a type of science fiction film that died out around the beginning of the 1990s. The practical effects, the matte painting, the clever use of computer effects in minimal ways, all add up to a world I wish we could spend more time in. But, I’m sort of glad that we don’t get more of this setting because it makes the bits and pieces provided all that more interesting to mull over.

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SXSW Short Film Festival @ Home – Made in Texas

Narrative

Ter ***
Directed by Maria Luisa Santos

This short begins with a sense of immediacy as live-in housekeeper Teresa discovers she is pregnant. We learn the father isn’t in the picture and that Ter spends her days caring for the young daughter of her employers. She truly loves this girl and manages to hold back her anxieties about the next steps of her life, until the finale. Good but a little slow for a short film, wish I knew more about Teresa.

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