Movie Review – The Death of Dick Long

The Death of Dick Long (2019)
Written by Billy Chew
Directed by Daniel Scheinert

The Coen Brothers so successfully cornered the market on rural crime/mystery that a review of any film that falls into that genre will inevitably mention them. So here’s the mandatory mention. The Death of Dick Long is very much in the vein of movies like Blood Simple, dark and funny with a biting wit. The filmmaker understands his characters to a depth that they avoid becoming caricatures. It would be easy to lazily portray everyone here as ridiculously stupid, but the film manages to show them like idiots in a totally realistic way. The lies told to cover up what happened are so paper-thin the audience cringes knowing these guys are going to get caught.

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TV Review – Best of Star Trek: The Next Generation Part 1

When Star Trek was canceled by NBC in the late 1960s, it seemed like its revival was an inevitability. As early as 1972, there were discussions about a film, and by 1977, it was decided to make a revival television series starring the original cast. Another change in mind led to the Star Trek film series that kicked off in 1980 and led to Wrath of Khan and the following pictures. The popularity of the Star Trek movies led Paramount pictures to plan for a new series with creator Gene Rodenberry coming on board after seeing some disappointing early ideas. By September 1987, Star Trek: The Next Generation premiered in syndication. The show would go for a longer run than its predecessor and gain a fanbase that rivaled the original series.

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Short Film Showcase #5

Two Dollar Bill (2016)
Written & Directed by Hannah Marks

Hannah Marks was born into the industry, the daughter of actors, granddaughter to a musician. She made her debut in 2006’s Accepted, a middling Justin Long vehicle. Along the way, she became interested in directing and has jumped into the deep end. After a series of successfully received shorts, she’s made a feature film with another in the pipeline.

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My Filmmaking Year Begins

Movies are the most powerful empathy machine in all the arts. When I go to a great movie, I can live somebody else’s life for a while. I can walk in somebody else’s shoes. I can see what it feels like to be a member of a different gender, a different race, a different economic class, to live in a different time, to have a different belief.

This is a liberalizing influence on me. It gives me a broader mind. It helps me to join my family of men and women on this planet. It helps me to identify with them, so I’m not just stuck being myself, day after day.

The great movies enlarge us, they civilize us, they make us more decent people.

  • Roger Ebert, remarks when receiving a star on the Hollywood Walk of Fame (June 23, 2005)
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Comic Book Review – Promethea Volume 1

Promethea Volume 1 (2000)
Written by Alan Moore
Art by J.H. Williams

Alan Moore has always been a remixer of comics history and iconography. In 1999 he started his own imprint of Wildstorm (which was then a division of DC Comics), called America’s Best. The name was a repurposing of a defunct line of comics from the 1940s, which featured superheroes now lost to the memories of the general public like Black Terror and Fighting Yank. Moore stayed in that vein of pulpy, Golden Age stories centering this line around four core titles: Tom Strong, Top 10, Tomorrow Stories, and Promethea. Each book examined an archetype comics in typical Moore fashion, deconstructing the tropes and reinterpreting commonly accepted norms.

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Movie Review – The Art of Self-Defense

The Art of Self-Defense (2019)
Written & Directed by Riley Stearns

When David Fincher’s Fight Club came out in 1999, I was a college freshman, just the right age and gender for the film to hit me firmly between the eyes. I thought the movie was genius, and at some point in the 2000s, I started feeling like the picture held a certain phoniness, that is was macho posturing that claimed it was condemning a certain mindset while actually supporting that ideology. I love Fincher, but Fight Club is a picture that hasn’t aged well for me, and that might be because of the young men who flocked to its images but didn’t necessarily explore its philosophy. Riley Stearns’ The Art of Self-Defense feels like a wry satire of the sort of young men who wanted to start their own fight clubs after watching the film. In the age of incels and the questioning and exploration of what it means to be a man, there couldn’t be a better time for this picture.

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Movie Review – Dark Night

Dark Night (2016)
Written & Directed by Tim Sutton

On July 20th, 2012, during a midnight screen of The Dark Knight Returns, a man wearing tactical gear set off tear gas inside the theater and proceeded to fire into the audience using multiple firearms he’d prepared for this occasion. 12 people were dead, 58 were wounded in the shooting. What followed was another cycle of the gun/mental health debate in America, which ended, as always, with nothing done on either front by leaders who feared political reprisal if they were to act. It was another reminder that we live in a society where the average and considered politically safest response of an elected official in the wake of mass murder is to do nothing.

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TV Review – Joe Pera Talks With You

Joe Pera Talks With You Season 1 (Adult Swim)
Written by Joe Pera, Connor O’Malley, Jo Firestone, Amalia Levari, and Dan Licata
Directed by Marty Schousboe

Michigan’s Upper Peninsula is a fascinating cultural anomaly, part of a state yet physically separate. The Yoopers have been shaped by a brutally cold winter landscape. There’s a strong sense of independence because of their geographic isolation. They take pleasure in the sports and activities of winter because it lasts nearly eight months for them in some years. This isn’t a barren wasteland though, Yoopers have a rich culture of arts, food, and even a quirky sense of humor. Joe Pera was born in Ithaca, New York, but is based out of Michigan now.

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Movie Review – The King of Comedy

The King of Comedy (1982)
Written by Paul D. Zimmerman
Directed by Martin Scorsese

The King of Comedy came out in the wake of Mean Streets, Taxi Driver, and Raging Bull. It features no gratuitous sex or nudity, little profanity, and not one drop of blood (well DeNiro does get a small scratch on his hand in the opening scene). It is a Scorsese film with a PG rating. When it was initially released, the film was a total failure. People went in expecting laughs with a title like The King of Comedy, but instead from an uncomfortable and cringe-inducing character study about the demented nature of fame. Todd Phillips cites this as one of the primary influences on his recent movie Joker, but it’s relatively clear he couldn’t reproduce the script that makes The King of Comedy one of Scorsese’s best.

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Movie Review – Joker

Joker (2019)
Written by Todd Phillips & Scott Silver
Directed by Todd Phillips

We are incapable of having a nuanced conversation about anything in popular culture. As I scroll through endless hot takes on Warner Bros.’ latest DC Comics property turned movie Joker, I find myself getting numbingly-exhausted. Apparently, Joker is either A) a clarion call to Trump-loving incels or B) the most magnificent piece of cinema ever produced, so we should end filmmaking now. Joker is a beautiful, ugly, well-acted, terribly-written, film that says so much while being so profoundly shallow and on the nose. This is going to be a long review and go into a lot of detail, much of which will involve me rambling about things you may find tangentially unconnected from Joker, but this is my review so…nyah.

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