Seth Harris

Movie Review – The Gleaners and I

The Gleaners and I (2000)
Directed by Agnes Varda

There is a tension in art between planning & spontaneity. I feel it when I write fiction. I’m always wrestling with how detailed an outline I give myself. Where is the room left to be surprised? But I also need to ensure the whole piece feels cohesive and connected. Agnes Varda embraces spontaneity in her documentary The Gleaners and I but strikes a good balance. She sets out with an idea of what she wants to explore but allows herself to be open to drift. Varda is so fascinated with people that she won’t hold back if the people she encounters inspire something new in her. I can see how contemporary filmmakers like Nathan Fielder or John Wilson are inspired by Varda’s work, particularly how she engages with strangers.

Movie Review – Vagabond

Vagabond (1985)
Written and directed by Agnes Varda

It seems easy for so many to demonize the vulnerable. That’s one of the most upsetting things about humanity for me, to see & hear people refer to subgroups of their fellow human beings as animals. One group in America that is treated in such a way through legislation & everyday rhetoric is the homeless. There are myriad reasons why a person might end up living on the streets. In the West, we still fail to treat the mentally disabled with respect & dignity. The average worker lives in constant peril that each paycheck might be their last. Queer & trans youth are routinely kicked out of their homes by parents whose brains have been inundated with the most hateful propaganda. When I see videos on TikTok of fellow teachers disparaging young people for being disengaged in what they are being taught, I feel like the speakers are missing the point. This is a society that has no intent of ever helping you and would instead grind us into bone meal. If you do not submit your life wholly to the capitalist game, then the ones who are too frightened to ever break away happily piss on your grave.

Movie Review – One Sings, the Other Doesn’t

One Sings, the Other Doesn’t (1976)
Written and directed by Agnes Varda

Time feels distorted. It didn’t just start with COVID-19 either. Our understanding of even recent history is blurred, with significant historical events from just a decade or two prior feeling like they happened so long ago or disconnected from our point in time. Part of this is the poor perception of the human brain, whose recall & memories have been proven very unreliable. It also emanates from the neoliberal project outlined in Francis Fukyama’s The End of History and The Last Man. The argument made via neoliberalism is that all possible political ideologies have been discovered & developed and that we live in a period in which no more historically significant events will happen. Essentially, human development is now a capitalist machine meant to run forever, powered by the “benevolence of capitalism.”

PopCult Podcast – Bottoms/Killers of the Flower Moon

These films couldn’t be more different. One is a comedy based on a series of Comedy Central shorts about two horny lesbian losers. The second is the true story of a series of killings at an Osage reservation in the early 20th century.

Solo Tabletop RPG Review & Actual Play – Dungeon World Part One

Read Part Two here and Part Three here

Of all the games under the banner of “Powered by the Apocalypse,” Dungeon World is probably the most well-known and played. It’s a variation of the classic dungeon-crawling tabletop rpg games that dominate the hobby. While games like Dungeons & Dragons rely on skill checks and rigid combat systems, Dungeon World takes a fiction-first approach, with all rolls being player-facing. Everything in the game happens as an extension of the player’s actions. There are no modules with structured adventures; instead, Dungeon World encourages improvisation and, at most, a simple dungeon starter outline. As with all the PBtA games, the focus is on playing to discover what happens without having all the steps written down beforehand.

TV Review – Paul T. Goldman

Paul T. Goldman (Peacock)
Written by Paul T. Goldman
Directed by Jason Woliner

The “reality television” genre has never been anywhere close to reality. The place you find reality on screen will always be in the documentary form, and even then, a director or editor can shape things to fit the narrative they want. We do the same in our lives every single day. We mentally emphasize & ignore various things because of how they make us, curating a perspective on the world that suits us. There is always a tension, though, between the perception & the real, cracks forming in our psyche as unpleasant things burrow their way in, eventually becoming undeniable. How you handle those unpleasant things defines you, whether you sink into despair or try to connect with others to process them. Paul T. Goldman, in the guise of a true crime series, is actually the exploration of these themes. How do we handle a lifetime of hurt and keep living? Do we hurt others? Do we invent stories that make us the hero?

Comic Book Review – Stargirl and The Lost Children

Stargirl and The Lost Children (2023)
Reprints Stargirl Spring Break Special & Stargirl and The Lost Children #1-6
Written by Geoff Johns
Art by Todd Nauck

Geoff Johns is in his third act, and it’s not going great. Act one was his rise to prominence as one of DC Comics’ best writers in the 2000s. This was followed by a transition into DC’s films division, where he oversaw what I consider some of the worst superhero films of all time. He would still dabble in comics occasionally, but once he stepped down from his role in the movies, his output increased. The word that comes to mind when discussing this second shot at comics writing for Mr. Johns is “delays.” Not just a month, but multiple months on books that are already limited series. Why DC doesn’t require X number of issues in the bank before beginning publishing remains a mystery to me. It is an excellent strategy to ensure distribution goes smoothly and your readership stays happy.

Movie Review – Le Bonheur

Le Bonheur (1965)
Written and directed by Agnes Varda

Translated into “happiness,” Le Bonheur is a pointed satire about marriage. Like good satire should, it is nuanced & subtle. I think American audiences have come to define satire as “parody” or just broad comedy when it is, in fact, building a case through narrative to support a particular point of view. There’s mockery here, but it’s not the kind that bellows loudly and makes a nuisance of itself. Agnes Varda was a filmmaker with such a strong filmmaking sensibility that she could unfold her story with finesse. It’s a feminist reading of male privilege with the husband as the central character. The female characters are supporting figures, but that makes it all the more damning and brutally hilarious.

Movie Review – Cleo from 5 to 7

Cleo from 5 to 7 (1962)
Written and directed by Agnes Varda

I can’t say I have ever dived deep into the iconic French New Wave movement. In college, I watched some Truffaut and Godard, but I don’t think it clicked with me. I would be interested in revisiting it now, as with some maturity, I can appreciate the work better. This idea has come to me after finding out how much I’ve enjoyed the work of Jacques Demy and now his wife, Agnes Varda. From the opening moments of Cleo From 5 to 7, I knew this would instantly become one of my favorite films.

November 2023 Posting Schedule

October saw my highest total views by far with over 12,500 views for the month. My new posts of Insidious: The Red Door, Exorcist II: The Heretic, and The Venture Brothers Season Four dominated the month for views, each clocking over 150 each. This meant year to year growth from October 2022 to October 2023 was 105%. Another way of looking at it is in 2022, I averaged 105 views a day for that month while in 2023 my average views per day was 406. It’s always nice to know people are at least seeing your work.