2023 – PopCult Reviews

Movie Review – Godzilla Minus One

Godzilla Minus One (2023)
Written and directed by Takashi Yamazaki

There is a scene just before the big third-act finale where Godzilla Minus One lays out its core thesis through the words of Kenji, a former Naval weapons officer trying to end the monster’s reign of terror on Japan. He states: “Come to think of it, this country has treated life far too cheaply. Poorly armored tanks. Poor supply chains resulting in half of all deaths from starvation and disease. Fighter planes built without ejection seats, and finally, kamikaze and suicide attacks. That’s why this time I’d take pride in a citizen led effort that sacrifices no lives at all! This next battle is not one waged to the death, but a battle to live for the future.” And that’s the theme of this film, to live in the face of what seems like hopeless obliteration.

Movie Review – Oppenheimer

Oppenheimer (2023)
Written and directed by Christopher Nolan

Western culture is obsessed with singular individuals. Any brief survey of historical events reveals that while there may be people in positions of leadership or authority, they rarely act alone. The Nazis were not simply Hitler. Many of them passed through the war untarnished and even got cushy jobs working for the United States government, like Werner Von Braun. A general depends upon an army. The U.S. government is not just the President. Oppenheimer was placed in a leadership position at Los Alamos, but the construction and deployment of the atomic bomb cannot be placed at his feet alone. That also doesn’t excuse his involvement, either.

TV Review – Foundation Season Two

Foundation Season Two (2023)
Written by David S. Goyer, Jane Espenson, Leigh Dana Jackson, Joelle Garfinkel, Eric Carrasco, David Kob, Liz Phang, Addie Manis, and Bob Oltra
Directed by Alex Graves, David S. Goyer, Mark Tonderai, and Roxann Dawson

I was a big fan of the first season of Foundation, but I saw that several critics and viewers found its structure confusing. There are definitely some time jumps that allow many changes to happen. I started to see the show as a mix of serialized storytelling and anthology. Each season would have some cast that would carry over because of cryosleep or cloning. The rest of the cast would rotate out at the end of each season as we jumped centuries ahead to see the Empire’s decline and the Foundation’s rise. Apparently, people liked season two even more, so we’ll have a third coming in the next few years. This second season focused on showing how flawed systems are where one figurehead is expected to lead millions or billions, or in the case of one locale, a few dozen.

Comic Book Review – Daredevil & Elektra Volumes Two & Three: The Red Fist Saga

Daredevil & Elektra Volumes Two & Three: The Red Fist Saga (2023)
Reprints Daredevil (2023) #6-10 & 11-14
Written by Chip Zdarsky
Art by Rafael De Latorre, Marco Checchetto, Manuel Garcia

Despite this being Chip Zdarsky, there was so much of the final act that felt like a totally different direction and tone. And it didn’t work for me. He has leaned heavily into the religious aspects of Matt Murdock, from his strange, retconned friendship with Goldberg to the constant talk of God’s will and prophecies. I get the sense that Zdarsky wanted to play with all the classic Daredevil toys, and this was him getting the Hand out of the toy box along with a few villains, smashing them together while going “pew pew.” I say that because so much substance is lacking here. It feels like a greatest hits album of Daredevil tropes and characters rather than something that moves the hero forward meaningfully. I don’t necessarily blame Zdarsky for that; rather, it is the corporate comic book tendency to allow characters to stagnate and never allow them to change.

Comic Book Review – Daredevil & Elektra: The Woman Without Fear and The Red Fist Saga Volume One

Daredevil: The Woman Without Fear
Reprints Daredevil: The Woman Without Fear #1-3 and Elektra #100
Written by Chip Zdarsky & Ann Nocenti
Art by Rafael De Latorre & Sid Kotian

Daredevil & Elektra by Chip Zdarsky Volume One: The Red Fist Saga
Reprints Daredevil (2022) #1-5
Written by Chip Zdarsky
Art by Marco Checchetto and Rafael De Latorre

Marvel Comics has been doing something for about the last decade or more that really bothers me. It’s become a trend that even DC Comics has started for most books. When a writer ends their run on an ongoing book, the company cancels the title and reboots it a month or two later with a new #1 to signal a new writer. I get the economics of it; issue ones sell better than any other issue, but it partially destroys the sense of history. Thankfully, DC has spared Action and Detective comics from this, so they bear their original numbering, making them over 1,000 issues. Both companies might put a Legacy number under the issue number, denoting how long this character has appeared in a book on their own.

PopCult Podcast – Perfect Days/Tokyo Story

Two quiet slice of life dramas get the spotlight this week. Wim Wenders finds poignancy in the life of a public toilet cleaner as he makes connections. Ozu delivers his humanist masterpiece with a quiet family epic.

Comic Book Review – Parasocial

Parasocial (Image Comics)
Written by Alex de Campi
Art by Erica Henderson

The other day, I was looking over the upcoming DC Comics solicitations and realized something. I am old now. I just looked at the covers, the blurbs for stories they were announcing, the lead-ups & preludes to the next big event, and I thought, “Boy, am I tired.” I know part of this is that the writers that are up and coming in comics right now are, for the first time, my age or younger than I am. It was an inevitable point I would reach one day, but experiencing it is still strange. Having grown up reading comics written by mostly Baby Boomers, there’s a particular style & tone I’m used to. It’s not better than what is new; it is just different. When I read something like Parasocial, I have mixed feelings – I like a lot of the ideas, but the execution is not what I expected, so I’m left feeling ambivalent.

Comic Book Review – Monica

Monica (Fantagraphics)
Written & Illustrated by Daniel Clowes

When I think of the great indie comics creators from my younger days, I typically think of three names: Charles Burns (Black Hole), Chris Ware (Jimmy Corrigan: The Smartest Kid on Earth), and Daniel Clowes (Ghost World). Each artist has a distinct style, and their personality comes through in all their work. The common theme between them all is a bleak look at humanity. Clowes’ work, in particular, focused on the alienation of Generation X, whose identities were tied to ironic nostalgia and difficulty being vulnerable with others. But time has passed, and Clowes is no longer a young man. As good as his early work is, he’s matured into something incredible, and Monica is a perfect example of this sophistication.

Patron Pick – The Zone of Interest

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

The Zone of Interest (2023)
Written and directed by Jonathan Glazer

A droning echo from deep in the bowels of the underworld is the first thing you hear as the screen remains black. This is a descent into Hell. The music distorts and warps, communicating this mood of decay & rot. It is also a signal that this will not be a film about the spectacle of war or even the direct horrors of the Holocaust. Instead, this will be a story from right on the periphery. The title, The Zone of Interest, was a term Nazis used euphemistically to refer to the complex of over 40 death camps in Auschwitz, Poland. Filmmaker Jonathan Glazer uses his talents to deliver a story about genocide unlike any other I’ve seen. This is a film where the details are withheld, and it is through inference that the true horror emerges.

Comic Book Review – Carmilla, The First Vampire

Carmilla, The First Vampire (2023)
Written by Amy Chu
Art by Soo Lee

Of all the “classic” monsters, vampires have just never clicked for me. I’ve seen many different takes on vampires from multiple cultures, but I’ve never found them particularly scary. I think part of this is that the vampire has shifted in the culture from being a strange, animal-like predator to either a fetishistic totem of erotic fiction or a metaphor for Other-ed groups we’re meant to empathize with. When that happens, the monstrous fades, and they become just a storytelling trope. I stay open to new takes on vampires, hoping that someone might make them horrific again, and Chu & Lee’s Carmilla graphic novel does a decent job of it.