Patron Pick – All Good Things

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

All Good Things (2010)
Written by Marcus Hinchey and Marc Smerling
Directed by Andrew Jarecki

Just because a recipe looks good on paper does not mean the final dish will be a masterpiece. Let us peruse the ingredients list for All Good Things. The cast is stacked: Ryan Gosling, Kirstin Dunst, Frank Langella, Philip Baker Hall, Nick Offerman, Kristen Wiig, Lily Rabe. Not a bad line-up at all. The cinematographer worked on Alfonso Cuaron’s Harry Potter and the Prisoner of Azkaban, among many other films. The director, Andrew Jarecki, had wowed audiences with his documentary Capturing the Friedmans seven years earlier. But it is in this last ingredient we have identified the problem. Jarecki made a fantastic documentary, but that is different from a narrative feature, and this film stands as a great example of how success in one does not translate into the other.

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Movie Review – 5 Broken Cameras

5 Broken Cameras (2012)
Written by Guy Davidi
Directed by Emad Burnat and Guy Davidi

Individualism is undoubtedly the mindset in which all Western thought appears to emerge. I’m a big believer that we’re actually a collectivist species forced into these systems, which explains the astronomical rate of people with mental illness worsening. Mental illness occurs regardless of what systems we are under, but it is hugely aggravated under ones that tell sick people they must care for themselves. This way of thinking has led to a common refrain among reactionaries that if individuals simply complied with the demands of hierarchies of power, they would not be harmed. This, of course, ignores that these same hierarchies perpetuate harm as part of their very nature. We are asking people to endure increasing levels of harm so we don’t have to wrestle with our role in these systems, and that will never lead to a solution.

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Movie Review – Night and Fog

Night and Fog (1956)
Written by Jean Cayrol
Directed by Alain Resnais

It’s an image that your brain can’t quite comprehend at first. Then the camera pulls out. And continues to pull out. And just keeps going beyond anything you could have anticipated or expected. Literal mountains of human hair piled up into a range of which I could not see the boundary. It seemed to go on forever. This isn’t just violence inflicted on one person to another. This is something different. There is a scope & scale that could not have happened by accident. Each action, each cut, each kill was planned. Starvation was part of the plan. This was the same thought an exterminator puts into eliminating an infestation of rats because that is how the Nazis saw these human beings as something to be erased. And with cold, calculated action, they built an entire machine to kill them all.

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Movie Review – Kokomo City

Kokomo City (2023)
Directed by D. Smith

I have started to feel despondent about the state of documentaries in America. It seems everything that comes out is in the true crime genre. While some of these have been entertaining, like Wild Wild Country, most of them are fancier & longer Dateline segments. I want films that dive into the lives of interesting people or topics like the Maysles Brothers, Barbara Kopple, or Frederick Wiseman. I was so happy to find this doc, which is not just about fascinating people but very artfully made. 

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Movie Review – Varda by Agnes

Varda by Agnes (2019)
Written and directed by Agnes Varda

Few of us get to depart from life able to talk about what all those years meant. As a filmmaker, Agnes Varda seemed acutely aware of the sands running through the hourglass, and her last twenty years of filmmaking (ages 70-90) seemed to come out of that urgency. The stories she was telling always connected to her, whether flowing out into the lives of others or having their lives bring up long-forgotten memories from her past. This is why her documentaries during this period feel more communal than ever. Varda is a perfect contemporary example of the wise elder, the sage who imparts their experiences from a life spent in intense thought and conversation. In this final film, released just months after her passing, Varda focuses on three key concepts: inspiration, creation, and sharing.

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Movie Review – Faces Places

Faces Places (2017)
Written by Agnes Varda
Directed by Agnes Varda & JR

French director Agnes Varda has never hidden her love of the French village. Her filmmaking career began with photographing the people who lived & worked in a working-class seaside town. Her first short film starred a couple who lived in such a place. While Varda’s narrative film work has varied in its subjects and interest, her documentary work has remained fixed on the working & the poor, people who do not get spotlighted much in media or society. That trend continues in her collaboration with street artist & photographer JR. They create giant portraits of people they meet, plastering them onto the facades of buildings and allowing so many “invisible” people to be seen. Along the way, the friendship between Varda and JR blossoms.

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Movie Review – The Beaches of Agnes

The Beaches of Agnes (2008)
Written and directed by Agnes Varda

In her 2000 documentary The Gleaners and I, Agnes Varda shared how she had difficulty remembering even recent journeys she had been on. What helped her recall those rich details were the objects & souvenirs she returned with. In The Beaches of Agnes, the director surveys the entirety of her life up to this point, which is quite daunting to remember. To aid in that, she composes a bricolage of items. These trinkets are scattered on various beaches whose locations played a significant role in Varda’s life. The film was made to celebrate the artist’s 80th birthday, and she wonders aloud if this would be her final picture. It would not be, but at this point in her life, each subsequent movie surely felt like the last piece of art she would make.

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Movie Review – The Gleaners and I

The Gleaners and I (2000)
Directed by Agnes Varda

There is a tension in art between planning & spontaneity. I feel it when I write fiction. I’m always wrestling with how detailed an outline I give myself. Where is the room left to be surprised? But I also need to ensure the whole piece feels cohesive and connected. Agnes Varda embraces spontaneity in her documentary The Gleaners and I but strikes a good balance. She sets out with an idea of what she wants to explore but allows herself to be open to drift. Varda is so fascinated with people that she won’t hold back if the people she encounters inspire something new in her. I can see how contemporary filmmakers like Nathan Fielder or John Wilson are inspired by Varda’s work, particularly how she engages with strangers.

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TV Review – Paul T. Goldman

Paul T. Goldman (Peacock)
Written by Paul T. Goldman
Directed by Jason Woliner

The “reality television” genre has never been anywhere close to reality. The place you find reality on screen will always be in the documentary form, and even then, a director or editor can shape things to fit the narrative they want. We do the same in our lives every single day. We mentally emphasize & ignore various things because of how they make us, curating a perspective on the world that suits us. There is always a tension, though, between the perception & the real, cracks forming in our psyche as unpleasant things burrow their way in, eventually becoming undeniable. How you handle those unpleasant things defines you, whether you sink into despair or try to connect with others to process them. Paul T. Goldman, in the guise of a true crime series, is actually the exploration of these themes. How do we handle a lifetime of hurt and keep living? Do we hurt others? Do we invent stories that make us the hero? 

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Patron Pick – The Social Dilemma

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

The Social Dilemma (2020)
Written by Davis Coombe, Vickie Curtis, and Jeff Orlowski
Directed by Jeff Orlowski

In every person’s mind lives three Vincent Kartheisers, at least according to this “documentary.” This might be the worst documentary I have ever seen. I was baffled from the first ten minutes and kept sitting there, unable to get over how amateurish and poorly edited the whole thing was. It’s also one of the most redundant films I have ever seen. The picture’s central thesis is explained in the first five or so minutes, and the rest of the runtime is just people saying the thesis in different ways over and over again. Oh yes, and using poorly thought-out metaphors. Two people used magicians as metaphors to explain social media, which was kept in the final cut rather than the director noting that this was unnecessarily repetitive. It’s also a film about a problem in which the people who caused it try to convince you that only they can solve it.

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