drama – Page 5 – PopCult Reviews

Movie Review – The Earrings of Madame De…

The Earrings of Madame De… (1953)
Written by Max Ophüls, Annette Wademant, and Marcel Achard
Directed by Max Ophüls

As with so many artists in Europe during the 1930s, Max Ophüls could see the rise of the Nazis and fled to France following the Reichstag Fire. He would continue his odyssey across the continent, attempting to stay ahead of the Nazis, making films along the way before reaching Portugal and heading to the United States. Ophüls would settle down in Hollywood for a few years, where he continued making movies, and once the war was over, he returned to Europe in 1950. It’s this period he’s become most known for, when he made his most acclaimed feature film, The Earrings of Madame De…

PopCult Podcast – The People’s Joker/Ghostlight

This week it’s two new releases about performance & identity. In one, we see a transgender woman’s story of self-realization through a parody of Batman and his world. In the second, a construction worker happens upon a theater putting on Romeo & Juliet that helps he and his family process a recent trauma

PopCult Podcast – Janet Planet/The Beast

This week we’ve got a close-up examination of a complicated mother/daughter relationship and a woman going on a surreal odyssey through her past lives.

TV Review – The Bear Season Three

The Bear Season Three (2024)
Written by Christopher Storer, Matty Matheson, Courtney Storer, Will Guidara, Catherine Schetina, Joanna Calo, and Alex Russell
Directed by Christopher Storer, Duccio Fabbri, Ayo Edebiri, and Joanna Calo

Fairweather fans always seem to balk at season three. I remember when Mad Men Season Three premiered, and slowly but surely, people who had loved it for the first two years decided that elements of the show they had enjoyed were suddenly not good any longer. I found it to be one the best seasons in the run, finally allowing its characters to face the unwelcome truths in their lives. Lost Season Three is still maligned by so many when it has probably the best season finale of the entire show’s run. The best television moves at its own pace. You are either in rhythm with it, or you are not. In an era where plot and IP-driven television seem to dominate the landscape, it is refreshing to have something that chooses character over plot.

TV Review – Northern Exposure Season Three

Northern Exposure Season Three (1991-92)
Written by Martin Sage, Sybill Adelman, Ellen Herman, Robin Green, Stuart Stevens, Henry Bromell, Dennis Koenig, Jordan Budde, Craig Volk, Diane Frolov, Andrew Schneider, Jeff Melvoin, David Assael, Mitchell Burgess, Kate Boutilier, Jeffrey Vlaming
Directed by Nick Marck, Bill D’Elia, Miles Watkins, Jim Hayman, David Carson, Sandy Smolan, Michael Katleman, Jack Bender, Michael Fresco, Lee Shallat, Dean Parisot, Rob Thompson, Matthew Nodella, Steve Robman, Tom Moore

This was the season where the awards started coming in for Northern Exposure. It was also the first season to have a complete order, twenty-two episodes. The budget has been increased, and the amount of care put into many of these episodes approaches cinematic levels. I had to check what year these episodes came out, 1991-92, but they feel more complex than something you would expect from CBS then. It’s become clear to me how this show was one of the experimental US programs of the 1990s that paved the way for the prestige TV of the cable era.

PopCult Podcast – Kingdom of the Planet of the Apes/Happer’s Comet

Two very different films in runtime, budget, scale, and content are featured in this episode. From a post-human Earth to a ghostly night in Long Island.

PopCult Podcast – In a Violent Age/The Bikeriders

One film deconstructs the tropes of the lakeside slasher genre of horror. The other follows the rise & fall of a motorcycle club in the 1960s/70s US Midwest.

Movie Review – A City of Sadness

A City of Sadness (1989)
Written by Chu T’ien-wen and Wu Nien-jen
Directed by Hou Hsiao-hsien

I have to admit I do not know as much about Chinese history as I would like to. I’m going to guess that most people reading this, if they live outside of China, probably fall into that category, too. The relationship between mainland China and the island of Chinese Taipei is complex and has not been made any easier due to Western interference. The political group that fled from the mainland to Chinese Taipei was the Kuomintang, a nationalist organization that pushed far right-wing ideology. Hence, they were driven out by the Communists after the still-dominant party attempted to work the Kuomintang. Modeled after many Western fascist parties, Kuomintang brought their particular twisted worldview to Chinese Taipei, which is what this film is about.

Movie Review – The Cook, The Thief, His Wife, and Her Lover

The Cook, The Thief, His Wife, and Her Lover (1989)
Written and directed by Peter Greenaway

From its abrasive opening moments, you know you are in for a unique experience. English gangster Albert Spica (Michael Gambon) has his lackeys toss someone who has failed him out onto the streets as stray dogs wander over. The scene is flanked by a truck full of fresh seafood on one side and a truck of meat on the other. Spica proceeds to begin what will be an endless monologue, yammering in his Cockney dialect as if he is enchanted by hearing his own voice. He says nothing of import. He proceeds to strip & batter the poor man on the ground and then smear dog shit over his body, leaving him there to rot. Spica and his entourage move on to the restaurant he’s purchased, where the criminal believes he can hold court.

Movie Review – Drugstore Cowboy

Drugstore Cowboy (1989)
Written by Daniel Yost and Gus van Sant
Directed by Gus van Sant

Gus van Sant joins a growing list of directors who came to the forefront in the late 80s/early 90s, and I’m not sure how I feel about them. Previously, I’d discussed this about Steven Soderbergh and sex, lies, and videotape. On the most recent episode of the podcast, we reviewed Richard Linklater’s Hit Man, and I remarked how I’m very up and down with his body of work. For Van Sant, My Own Private Idaho will forever be an impossible film to beat. It is a full-fledged American cinematic masterpiece, so I was very interested in stepping back into the film just before and seeing what he had made. A considerable section of his fanbase declares this as their favorite of his movies.