The Transfiguration (2017)
Written & Directed by Michael O’Shea
Milo is an orphaned teenage boy living in New York City. He lives with his Army veteran brother who is unable to get a job, never explained but implied by either physical or mental injury. Milo has a secret though, he is a vampire. Or Milo believes he is a vampire and has marked out on his calendar the nights he will feed. He’ll stalk bathrooms or hang out in Central Park late into the night, using a secret pen knife to slit his victims’ throats and then lapping up their blood. In the midst of this very dark existence, Milo meets Sophie, a girl who has just moved into his apartment building. They strike up a friendship that becomes a relationship, and Milo attempts to keep his secret from Sophie while fighting his urge to feed on her.
It’s the mid-1960s on Long Island, New York, and an unnamed preteen narrator is beginning a year of his life he will never forget. This is his last year in elementary school and he, his brother Jim, and little sister Mary become embroiled in a mystery that no one else in their neighborhood seems to take note of it. It starts with the disappearance of a local boy and then rumors of a peeping tom carousing the backyards at night. The narrator spies a strange white car driven by a man dressed all in white whose presence seems to correlate with the prowler. Then his sister Mary, an odd one who allows her imaginary friends to speak through her, begins to show the possibility of clairvoyance, knowing where neighbors are at precise moments when she should not be able to. This shadow year will linger for our protagonist and what he learns will haunt him decades later.
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