
Black Swan (2010)
Written by Mark Heyman, Andres Heinz, and John J. McLaughlin
Directed by Darren Aronofsky
Nina is a ballerina working in a New York ballet company with aspirations of maybe becoming the lead dancer one day. Her chances arrive sooner than she realizes when prima ballerina Beth, aging and bitter about what the director has made her do over the years, is pushed aside for Nina in the lead role of Swan Lake. Thomas, the company’s director, is growing increasingly frustrated with what he says is Nina’s constraining inhibitions. While technically perfect she lacks the passion he wants to see and uses new company member Lily as an example of real emotion in the work. Nina’s mother doesn’t help things by creating a perpetual childhood in their apartment, treating the young woman the same as she did when Nina was a girl. All of this pressure begins to show the cracks in Nina’s psyche as she glimpses a shadow-self, a doppelganger wandering the streets living a life parallel to our protagonist. What is real and what is in the life of the mind begin to blur and dissolve.
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