Aguirre, The Wrath of God (1972)
Written & Directed by Werner Herzog
Germany was a very different country after World War II than before. It was sundered in two, the city of Berlin divided in half. German cinema, which had been quite a robust center of challenging artistic work before the rise of the Nazis, was gone and didn’t recover in the wake of the collapse. Meanwhile, there was the French New Wave, Italian neorealism, and Britain’s Angry Young Man subgenre of pictures. In 1962, a group of German filmmakers released a manifesto declaring Germany’s old cinema dead and the birth of something new. In 1965, the East German government set up a fund to provide money to filmmakers, but that work often failed to challenge the institutions that young Germans saw as responsible for the events of the war. It was in the early 1970s that the most vital voices in the country came forward. You likely know some of their names: Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders. Others you probably do not. For April, I’ll be looking at some of the essential movies in this movement where the film served as a way to comment on a society existing in shock.
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