1990s – Page 6 – PopCult Reviews

TV Review – Neon Genesis Evangelion Episodes 7 thru 12

Neon Genesis Evangelion – Episodes 7-12
Written by Hideaki Anno, Yōji Enokido, Akio Satsukawa, and Seiji Mizushima
Directed by Keiichi Sugiyama, Kazuya Tsurumaki, Tsuyoshi Kaga, Hiroyuki Ishidō, and Tetsuya Watanabe

Here are my thoughts on the first six episodes of Evangelion

My feelings on this next batch of six episodes of Neon Genesis Evangelion are far more positive than the first six. The first six were not terrible, but these are diving just a bit more beneath the surface of the back story, and some characters are introduced that add some much-needed conflict & new personalities to the series.

PopCult Podcast – Motorama, The Dark Backward, and Late-Stage Capitalist American Grotesque

While watching this week’s movies, we think we might have stumbled upon a genre of film hidden right in front of our eyes the whole time. Motorama and The Dark Backward becoming a jumping off point for bigger conversation.

TV Review – The Kingdom II

The Kingdom II (1997)
Written by Lars von Trier and Niels Vørsel
Directed by Lars von Trier and Morten Arnfred

Trying to describe where Lars von Trier’s sequel to his 1993 mini-series The Kingdom goes is quite a challenge. The thing your 21st-century sensibilities will be struck with first is going to be the cinematography. A lot of The Kingdom looks like absolute shit. This isn’t a byproduct of a filmmaking amateur but a stylistic decision made by von Trier. His 2000 masterpiece Dancer in the Dark employs early digital and has a similar grainy look to it. While the director was inspired by David Lynch’s Twin Peaks, he wasn’t simply going to mimic that style and instead employed his unique visual take on this horrific & comedic story. Through grainy handheld camerawork and especially the editing in post, he can construct a comedic rhythm that makes this show genuinely hilarious.

Movie Review – Public Housing

Public Housing (1997)
Directed by Frederick Wiseman

Frederick Wiseman didn’t slow down in the 1980s or 1990s. He continued to put out a film almost every other year about topics as varied as horse racing, a Neiman Marcus department store, Central Park, and a series of docs about people with disabilities. In 1997, he delivered this three-hour exploration of the politics that governed the Ida B. Wells public housing development in Chicago, Illinois. Much like Welfare, Wiseman is trying to capture the voices of the people in power within the institutions as well as the recipients (or people who should be getting, but often don’t get) these services.

Comic Book Review – Carmilla, The First Vampire

Carmilla, The First Vampire (2023)
Written by Amy Chu
Art by Soo Lee

Of all the “classic” monsters, vampires have just never clicked for me. I’ve seen many different takes on vampires from multiple cultures, but I’ve never found them particularly scary. I think part of this is that the vampire has shifted in the culture from being a strange, animal-like predator to either a fetishistic totem of erotic fiction or a metaphor for Other-ed groups we’re meant to empathize with. When that happens, the monstrous fades, and they become just a storytelling trope. I stay open to new takes on vampires, hoping that someone might make them horrific again, and Chu & Lee’s Carmilla graphic novel does a decent job of it.

Patron Pick – Ferngully: The Last Rainforest

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Ferngully: The Last Rainforest (1992)
Written by Jim Cox
Directed by Bill Kroyer

The 1990s was a strange time for the environmentalist movement. My perspective was shaped at the time by hyper-conservative Christian fundie parents who, fed by their own propaganda sewer, insisted that anything about protecting nature from corporate greed was “new age, pagan filth.” We didn’t watch Captain Planet in my house for that very reason. Not that I was really missing anything. Upon visiting that show for the first time as an adult, I was very unimpressed, but I can now see also the stuff I did like at the time as very pandering, shallow commercialism. My parents didn’t have a problem with the mass marketing to children part of things; they loved capitalism. All this to say, I never watched Ferngully until this Patron request. Without the rose-colored nostalgia of my childhood to lean on for this one, it is pretty bad as far as kids’ movies go.

TV Review – Neon Genesis Evangelion: Episodes 1 thru 6

Neon Genesis Evangelion
Episodes 1-6
Written by Hideaki Anno, Yōji Enokido, and Akio Satsukawa
Directed by Kazuya Tsurumaki, Hiroyuki Ishidō, Tsuyoshi Kaga, and Keiichi Sugiyama

My track record with anime has not been fantastic. I find I more often prefer anime films over long-form series. Satoshi Kon (Perfect Blue) has become a favorite, though I have yet to see Paprika. Hayao Miyazaki is a genre of animation unto himself, so if anything, that’s an entire branch of anime separate from the rest. Katsuhiro Otomo (Akira) is a visionary whose work staggers me every time I see it. While I haven’t done a deep dive into it yet, Mamoru Oshii’s work, like Ghost in the Shell, is fascinating. When it comes to anime shows, my most significant exposure was being in the room during college while friends watched Dragonball Z on Toonami every afternoon. I was not a fan. I had other friends who were into things like Inuyasha, and I watched films like Vampire Hunter D. A few years ago, I took in a couple of Attack on Titan episodes, but it just wasn’t for me.

Movie Review – Irma Vep

Irma Vep (1996)
Written and directed by Olivier Assayas

“Cinema” is a term used to describe the production of films as an art or industry. Now, those are two very different terms, art and industry. They are the two points of tension that films have endured since they became popularized. In reading Hollywood: An Oral History last year, I was fascinated with the early chapters in how the interviewees describe how American film enthusiasts were just slapping together things and figuring out what these “movies” were or could be.

Movie Review – In the Soup

In the Soup (1992)
Written by Tim Kissell and Alexandre Rockwell
Directed by Alexandre Rockwell

One of the misconceptions about being an artist is the glamor of living in squalor. I don’t recommend it as I was someone who has lived in less than stellar circumstances. You can still produce great art without living in poverty if you can avoid it. There’s not much romantic about being unable to afford groceries for a week or feeling an icy winter draft blow through poorly insulated windows. There’s also the misunderstanding that working in the arts is about refusing to compromise your personal vision. The challenge is balancing your perspective with getting work to pay your bills. Writing is a job like any other that involves taking gigs and doing what you can to get to the next one. Along the way, you keep working on the personal pieces, and one day, they come to fruition.

Movie Review – The Player

The Player (1992)
Written by Michael Tolkin
Directed by Robert Altman

Robert Altman has been one of my favorite directors since I first learned of him in college. I’d known of his movies, the Robin Williams-led Popeye, especially as a kid. It’s hard to nail down precisely what appeals to me about Altman, but his signature of having large, sweeping ensemble casts is one of them. While his stories might have a protagonist, they are not who the film is entirely about. Altman loves to let his camera wander like an eye, using advancements in sound recording to give the audience snippets of conversations. It’s the voyeurism of Hitchcock paired with a California pothead vibe. The Player couldn’t be a more perfect film for the director, who had struggled through the 1970s and 80s with a contentious studio system. Altman’s loose narratives and penchant for being over budget made the executives & accountants fume.