2019 – PopCult Reviews

Movie Review – This Is Not a Burial, It’s a Resurrection

This Is Not a Burial, It’s a Resurrection (2019)
Written and directed by Lemohang Jeremiah Mosese

Just last week, I saw a clip from a Fox News program where they were discussing recent cuts to USAID programs. At one point, Jesse Watters mispronounced Lesotho’s name and immediately commented that no one knew where it was. It was met with sophomoric chuckles from his cronies. Ironically, I watched this film just a few days ago. Lesotho was one of a handful of African nations I could locate on the map. That’s because it’s geographically unique in that it sits inside the country of South Africa.

Movie Review – For Sama

For Sama (2019)
Directed by Waad Al-Kataeb and Edward Watts

Our film series for March is 13 Countries, 13. On the website Letterboxd, if you pay for an annual subscription, you unlock a stats page that tracks your films watched. One feature I started looking at was the world map highlighting the countries from which you’ve seen movies. I decided to go through all the countries I hadn’t seen a film from and select a feature to watch at some point. While I won’t be watching them all in one go, I decided to pull some of them for this series.

TV Review – The Venture Brothers Season Seven

The Venture Brothers Season Seven (Adult Swim)
Written by Jackson Publick and Doc Hammer
Directed by Juno Lee

The core theme rippling throughout The Venture Brothers has been fathers & sons. This is seen in multiple relationships in the series. There is Rusty Venture and his deceased dad, Dr. Jonas Venture. There’s Hank and Dean in relation to their father. There were more on the edges of the show: Brock’s paternal relationship with Hunter Gathers, Sergeant Hatred’s desperation to be seen as a father figure, and Billy Quizboy having to accept Action Man as his potential stepfather. But that first dynamic, the one between former child adventurer Rusty and his deeply toxic father, was the fuel for this show. With Venture Brothers Season Seven, we open on a three-parter that finally brings closure to that arc.

Movie Review – Gaza Fights For Freedom

Gaza Fights For Freedom (2019)
Written by Abby Martin and Mike Prysner
Directed by Abby Martin

You can watch this documentary in its entirety here. It is age-restricted so I cannot embed it, sadly.

One of the talking points of the pro-occupation crowd is to talk incessantly about 7 October 2023. If you respond by bringing up other relevant dates and incidents that establish a slow-rolling genocide, the counterargument is that they are talking about “right now,” not the “ancient past.” When asked for their justifications of why the occupying force should have any claim in Palestine, they will respond with “evidence” from a dubious religious text by practitioners of the religion this occupying force has appropriated that this is their homeland circa two millennia earlier.

Movie Review – It Must Be Heaven

It Must Be Heaven (2019)
Written and directed by Elia Suleiman

Like most artists, Elia Suleiman has specific elements he wants to continually examine, looking at them from different angles and revisiting images from his past to see if time has changed their meaning. After watching four films from Suleiman, I see how some critics would say he keeps making the same movie to an extent. These movies will always have Suleiman playing some version of himself. The persona he presents will be a nearly silent, deadpan one. The story will be told in vignettes that work in isolation but can also be viewed collectively to make something more significant. Suleiman is playing the Holy Fool and, through that lens, can observe the world in ways the rest of us cannot.

Movie Review – Klaus

Klaus (2019)
Written by Sergio Pablos, Jim Mahoney, and Zach Lewis
Directed by Sergio Pablas

The origins of Santa Claus have been the fodder for several pieces of modern American media. Rankin-Bass’ 1970 special Santa Claus is Coming to Town sees Santa as an orphan raised by elves. The animation company would do it again in 1985 with The Life and Adventures of Santa Claus, based on the novel of the same name by L. Frank Baum. 1985 was also the year the producing partnership of the Salkinds put out their gaudy Santa Claus: The Movie, which provided its own take on St. Nick’s beginnings. Other films have hinted at the origins of Santa and his elves through worldbuilding, like Disney’s The Santa Clause. So, why would someone else want to tackle this again?

Movie Review – Varda by Agnes

Varda by Agnes (2019)
Written and directed by Agnes Varda

Few of us get to depart from life able to talk about what all those years meant. As a filmmaker, Agnes Varda seemed acutely aware of the sands running through the hourglass, and her last twenty years of filmmaking (ages 70-90) seemed to come out of that urgency. The stories she was telling always connected to her, whether flowing out into the lives of others or having their lives bring up long-forgotten memories from her past. This is why her documentaries during this period feel more communal than ever. Varda is a perfect contemporary example of the wise elder, the sage who imparts their experiences from a life spent in intense thought and conversation. In this final film, released just months after her passing, Varda focuses on three key concepts: inspiration, creation, and sharing.

TV Review – Deadwood: The Movie

Deadwood: The Movie (2019)
Written by David Milch
Directed by Daniel Minahan

It wasn’t the ending we would have liked, but we never believed there would be an ending. That’s how I feel about Deadwood: The Movie. The original idea was to do a series of made-for-HBO films that brought a satisfying conclusion to the series. Money and life saw to that not happening. The film was made just in the nick of time, I suppose. Shortly before he began work on the movie’s script, series creator & showrunner David Milch was diagnosed with Alzheimer’s. He currently resides in an assisted-living facility as the disease has no cure and weakens a person’s ability to function daily. Milch’s gift to us as he undergoes this tragic transformation is a final glimpse at Deadwood and the characters we grew to love over three seasons. It’s a spotty, often messily structured film, but it is a way to say goodbye.

Comic Book Review – X-Men Epic Collection: It’s Always Darkest Before the Dawn

X-Men Epic Collection: It’s Always Darkest Before the Dawn (2019)
Reprints Amazing Adventures #11-17, Amazing Spider-Man #92, Incredible Hulk #150, 161, 172 & 180-182, Marvel Team-Up #4 & 23, Avengers #110-111, Captain America #172-175, Defenders #15-16, and Giant-Size Fantastic Four #4
Written by Steve Englehart, Len Wein, Gerry Conway, Stan Lee, Roy Thomas, Archie Goodwin, Mike Friedrich, Tony Isabella, & Chris Claremont
Art by Sal Buscema, Tom Sutton, Herb Trimpe, Gil Kane, Don Heck, John Buscema, Bob Brown & Jim Starlin

This is the easiest to pass up of all the original X-Men Epic Collections. It takes place in the gap between the initial run and Chris Claremont’s takeover in 1974, so we have a lot of short arcs with the X-Men guest-starring in other books. That was my mindset at first, but the more I’ve thought about it, the more I see this as a flame carried by people who loved these characters. It would have been easy to let the X-Men slide into obscurity like many other characters whose books got canceled. They could have fallen into comic book limbo, but because writer/editor Len Wein believed in the concept, he and other creators kept finding places for these mutant heroes to pop up.

Movie Review – Dora and The City of Lost Gold

Dora and The Lost City of Gold (2019)
Written by Nicholas Stoller, Matthew Robinson, and Tom Wheeler
Directed by James Bobin

Of all the shows I have reviewed in this series on cinematic television adaptations, this is the only one created during my adulthood. Not having children or having spent a lot of time around Zoomers as babies, I don’t really have any emotional attachments to the source material. I’ve seen the numerous parodies of Dora that show up in pop culture, and I understand the show’s concept, though. So I was a bit surprised but intrigued when it was announced that a live-action Dora movie was in the works. I always prefer an unexpected and weird take on a well-known property rather than regurgitating something we all know. This is why I am very interested in the Greta Gerwig Barbie film. It sounds like something that isn’t just a straightforward adaptation. And that’s what we get with Dora and The Lost City of Gold, a movie that balances a genuine love of the show with the ability to poke fun at it.