Patron Pick – Soundtrack to a Coup D’état

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

Soundtrack to a Coup D’état (2024)
Written and directed by John Grimonprez

Being a media-obsessed person for my whole life, I have come to a new understanding since my university days about the United States and the way it uses media as a weapon. Depending on how far along your understanding of the mass media’s purpose and how power becomes gained & is wielded, you might not see the reality just beneath the surface. As Michael Parenti said in his book Inventing Reality: The Politics of News Media, “Power is always more secure when cooptive, covert, and manipulative than when nakedly brutish. The support elicited through the control of minds is more durable than the support extracted at the point of a bayonet. The essentially undemocratic nature of the mainstream media, like the other business-dominated institutions of society, must be hidden behind a neutralistic, voluntaristic, pluralistic facade.” 

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Patron Pick – Carry-On

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

Carry-On (2024)
Written by T.J. Fixman
Directed by Jaume Collet-Serra

It took just a few minutes of watching Carry-On to realize I was watching a type of copaganda. Instead of shilling for the “boys in blue,” this film attempts to make the TSA (Transportation Security Administration) seem like an essential job that protects Americans and is staffed by cool people who look like action stars. The plot is a yawn-inducing cut & paste of every other terrorist thriller you’ve seen, like tossing 1990s thrillers and the TV series 24 into a blender with some pro-TSA propaganda. I’m not very surprised that a Netflix original is a piece of disposable shlock; that’s sort of the brand at this point.

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Solo Tabletop RPG Actual Play – Starforged: Messiahs Part Four

Read the previous part here

I had hoped to get this finished in 2024, but it took me a little longer. Hope you enjoy this final, extra long (nearly 7,000 words) final part to Messiahs.

[Begin a Session: Flashback reveals an aspect of another character, place, or faction]

One of the first things Gerard Linnaeus saw that made him want to go running from Dakhnour was watching a soldier from his house beat a frail al-Raml man to death for stealing a bowl of grain meal. The heir to the corporate house of Celadon felt a rage grow in him that had been there since he was a child. Now in his twenties, as he was being prepped to lead the House by his father, Gerard felt even more disgusted getting to see the Enclave treatment of the natives.

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My Favorite Films of 2024

Honorable Mentions: Longlegs, Cuckoo, Love Lies Bleeding, Sasquatch Sunset, Furiosa, In a Violent Nature, Ghostlight, Janet Planet, Rebel Ridge, Good One, The Apprentice, Problemista, The Boy and The Heron, Last Summer, Flow, and All of Us Strangers

His Three Daughters (directed by Azazel Jacobs)
Listen to our full review here

Three women (Natasha Lyonne, Carrie Coon, Elizabeth Olsen) come together as their father is in the final days of hospice care. The audience is thrown into the middle of the situation, quickly figuring out that these sisters’ relationships are tenuous at best. Coon’s middle child swoops in and tries to take over the situation from eldest child, Lyonne. The youngest child, Olsen, is considered a flighty, flakey type but pushes back on her sister’s misconceptions about her. Azazel Jacobs has constructed a very human story about aging and family that never drowns in maudlin sentiment. This mix of empathy and reality is one of the best films I saw all year.

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My Favorite Film Discoveries of 2024

Here are the films that weren’t new in 2024, but they were new to me. Of all my first-time viewings this year, these movies stuck with me.

Mandabi (1968, directed by Ousmane Sembene)
Read my full review here

In 2024, I discovered the films of the late Senegalese filmmaker Ousmane Sembene. Most of Sembene’s work is focused on the colonial/post-colonial era. He looks at how even when the colonizer has been (mostly) physically removed, their specter remains in social and economic structures. That sounds very academic, but Sembene can make it easy to digest and genuinely hilarious in a film like Mandabi. A Senegalese man receives money from a nephew working in Paris. He’s meant to disperse this money in a specific way to particular people, but once news of the money gets around the community, everyone starts showing up to call in debt or plead their case. If you want an introduction to West African cinema, I think Mandabi is a great jumping-off point and had me cracking up many times.

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My Favorite Books Read in 2024

Good Night, Sleep Tight: Stories by Brian Evenson

I have never been disappointed by Brian Evenson, so I was delighted to see his short story collection coming out the exact same day as Laird Barron’s new book. These two books helped improve my October, and I needed it. This story collection was a slight shift from Evenson’s normal fare. I noticed a lot of variations on the same themes (mothers, robots, the end of humanity) and a shift to more science fiction stories than just horror.

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My Favorite Solo Tabletop RPGs of 2024

Becoming the Villain by There’s A Way Studios
You can purchase this game here
Read my actual play here

I didn’t play many solo journaling games this year, opting for games with more dice rolling and moment-to-moment action. I enjoyed this journaling game, which helped me create a villain for my Supersworn (Starforged with supers assets) game. Becoming the Villain uses tarot cards to unfold your future fiend’s history. You’ll track your character’s changing ambitions, goals, and motivations affected by the events keyed from your card draws. Allies very likely will become enemies. Precious resources will be destroyed and fuel your villain’s rage. For GMs wanting to have a firmer handle on their campaign’s BBEG, this could be an enjoyable resource during planning.

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