sports – PopCult Reviews

Patron Pick – Federer: Twelve Final Days

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

Federer: Twelve Final Days (2024)
Directed by Asif Kapadia and Joe Sabia

Once upon a time, I played tennis nearly every day. In the late 1990s, my family started frequenting the public tennis courts. Being homeschooled, solo sports were the easiest to play rather than team-based ones. I also watched a bit of tennis and knew the players at the time: Sampras, Agassi, Seles, Hingis, Kournikova, etc. Then I went to college, and other than taking tennis as a physical education prerequisite for my bachelor’s degree, I haven’t touched on the sport since. I had heard of Roger Federer; he was emerging as a top player when I stopped paying attention, but I couldn’t say I knew much about him. After watching this documentary about his retirement from the sport, I still can’t tell much about him.

Movie Review – Slam Dunk Ernest

Slam Dunk Ernest (1995)
Written by John Cherry and Daniel Butler
Directed by John Cherry

The final three Ernest films were direct-to-video releases, making it very clear that the salad days of Disney financing were long gone. It wasn’t a terrible move. As we can see today, theatrical release is hardly the primary way people engage with media. What would Ernest have been like in the streaming age? He’d likely end up on some platform like Pureflix, especially looking at these final three. If, in watching these movies, you think they resemble television far more, you wouldn’t be wrong. I can easily see these being cut way down and being episodes of a low-budget streaming series.

PopCult Podcast – Challengers/Sasquatch Sunset

In one film we follow the complex intersection of sex, sports, and relationships. In the second, we see life from the perspective of animals where mortality is sudden & cold.

PopCult Podcast – Mami Wata/Poor Things

In Nigeria, a woman attempts to keep her community together as massive fractures form. In a strange fantasy world, a woman attempts to figure out who she is as she speedruns through human development.

PopCult Podcast – All of Us Strangers/The Iron Claw

We finally get to talk about two films from 2023 we have been so excited for. The first is a dreamlike queer fantasy about reckoning with the past so you can start living. The second is the tragic real life story of a professional wrestling dynasty.

Patron Pick – Gran Turismo

Gran Turismo (2023)
Written by Jason Hall, Alex Tse, and Zach Baylin
Directed by Neill Blomkamp

2023 feels like an apocalyptic year for Hollywood. The labor strikes, which the studio execs refuse to approach in good faith, stretch into the future. Rumblings of AI-generated films & television abound. The content coming out often feels like it was already written by AI anyway. The mainstream has never been such a void of humanity, and that’s saying a lot. The brand movie and video game adaptations have been hot commodities as trends shift in a disturbing direction. These two horrible new late-stage capitalism genres come together in the mire that is Gran Turismo. “Based on a true story” but clearly embellished and overly dramatized, which doesn’t help the picture to become more compelling. Not since Black Adam have I felt such a sinking sense of doom watching a movie that this medium I love so much is being strangled in the States, everything that made it worth engaging with melting away (thank god for world cinema!).

Movie Review – Hoop Dreams

Hoop Dreams (1994)
Directed by Steve James

Since the first African people were captured, sold through European markets, and forcibly transported to “The New World,” Black bodies have been commodified by white supremacy. African people were not the first slaves, but their subjugation under the institution of chattel slavery is a defining aspect of humanity in the Western world. To pretend that it “was a long time ago,” that we live in a “post-racial world” or any other white copium is just that. It’s a complete dismissal of material facts and accurate historical analysis. Today, Black people are still seen as white commodities in capitalism’s gaze. Instead of working the fields of cotton plantations, American society works Black men as gladiator figures, tossing them in arenas to destroy their bodies and damage their brains for our entertainment. The thought of what these men will do when natural aging & physical strain catch up to them is not even contemplated by most people.

Patron Pick – Tracktown

This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Matt Harris.

Tracktown (2016)
Written & Directed by Alexi Pappas and Jeremy Teicher

The Olympics-to-movies track is not one populated with much success. You need only look at the quality of Gymkata (starring gymnast Kurt Thomas) or Can’t Stop the Music (starring track star Caitlyn Jenner) to see how dubious these pictures can be. In a recent pre-Oscars interview, when asked about what movies he’s watched recently, director Paul Thomas Anderson namedropped Tracktown as one he’d watched and liked. Intriguing, yes? I have to wonder how closely Mr. Anderson was paying attention to the film as it played on his television because there is something so off about Tracktown.

Movie Review – Slalom

Slalom (2021)
Written & Directed by Charlène Favier

In recent years, films across the globe have begun tackling the horror of sexual assault experienced by women & girls for centuries and more. Some critical decisions have to be made when presenting such sensitive content, the largest of which is “How graphic should the depiction of assault be on screen?” This is made even more potentially troubling when it involves an underage victim. In her debut feature, writer-director Charlène Favier doesn’t hold back much when showing her protagonist slowly being groomed and then used by an important authority figure in her life. There are only two sexual encounters throughout the picture, but the director lingers in these moments, which leads to that stomach sinking feeling as you watch how helplessly the young girl just gives in.

Movie Review – The Color of Money

The Color of Money (1986)
Written by Richard Price
Directed by Martin Scorsese

The Color of Money is a very appropriately titled film because it feels like Martin Scorsese made it to progress other projects, mostly The Last Temptation of Christ. This was essentially a work-for-hire picture that helped keep Scorsese busy and honing his craft. He doesn’t really use any of the stable of actors you might expect, even in minor roles. John Turturro, who had a “blink and you’ll miss him” cameo in Raging Bull, has a small supporting role, but overall, this is a group of performers Scorsese was working with for the first time. Paul Newman and Tom Cruise are the co-male leads, with Mary Elizabeth Mastrantonio as the female lead. It’s also a sequel to a film made twenty years earlier. All these elements make for a movie you probably wouldn’t guess Scorsese made unless you saw the opening credits.