Comic Book Review – Seven to Eternity Volumes 1 & 2

Seven to Eternity Volume 1
Reprints Seven to Eternity #1-4
Written by Rick Remender
Art by Jerome Opena

Seven to Eternity Volume 2
Reprints Seven to Eternity #5-9
Written by Rick Remender
Art by Jerome Opena and James Harren

After my year-long read through of Rick Remender’s tenure at Marvel, I was excited to get back to his work. This time it’s his Image work, specifically this fantasy-adventure series Seven to Eternity. Remender reunites with his Uncanny X-Force collaborator Jerome Opena, and the material is just as gorgeous and epic. They don’t hesitate to throw the audience into the deep end of a richly developed world with tons of back history. You might find yourself a little disoriented at first, but once you get your bearings, understand who’s who, the story becomes deeply engrossing.

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TV Review – Star Trek: Picard Season One, Episode Three

Star Trek: Picard (CBA All Access)
Season One, Episode Three – “The End is the Beginning”
Written by Michael Chabon & James Duff
Directed by Hanelle Culpepper

Space finally becomes the primary setting of Picard but only in the final scene. This episode finishes up the first act of the season by having the captain wrap up things on Earth and get together a makeshift crew. I am looking forward to what comes next, but this was still a bumpy ride that feels uneven and underdeveloped. Picard relies on so many new characters that it feels disconnected in many ways from The Next Generation. There’s nothing wrong with wanting to build a unique story and focus on some new faces, but the lack of people that I would assume Picard considers his family is odd.

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Movie Review – Sunset Boulevard

Sunset Boulevard (1950)
Written by Charles Brackett, Billy Wilder, and D. M. Marshman Jr.
Directed by Billy Wilder

Movies about making movies was not a new thing when Sunset Boulevard came along. What was novel about this film was that it wasn’t a story of rags to riches, a reflection on the dream of fame. This is a film noir version of those Hollywood tales. Our protagonist is a screenwriter who fails to make it big. The antagonist is a movie star who fell from great heights and never recovers. Much like in Day of the Locust, we have an examination of the effects of a system that promises wealth & fame that rarely delivers those dreams.

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Media Moment (02/07/20)

Director Scott Derickson had to step down from Doctor Strange and the Multiverse of Madness. His rumored replacement should have superhero movie fans very excited: Sam Raimi. Raimi has an important legacy role in the genre as his Spider-Man films arguably paved the way for the MCU and everything else we see in theaters now. The director has struggled with wide release success since. Spider-Man 3 was abysmal but much of that can be contributed to studio interference (see how Sony mishandles almost everything). Raimi’s prequel movie Oz the Great and Powerful was a pretty big creative mess that has not led to the franchise you could tell it was hoping to set up. Raimi’s strengths have always been in over the top horror and the bits and pieces we know about the Multiverse of Madness hint that it could be a perfect match.

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Movie Review – Doctor Sleep

Doctor Sleep (2019)
Written & Directed by Mike Flanagan

Two things are pretty hot right now. Adapting Stephen King novels & reboots of 1980s stuff. So what if you combined the two? You’d end up with Doctor Sleep, a direct sequel to King’s novel The Shining and, as a movie, a direct sequel to Stanley Kubrick’s The Shining, two very different animals. Mike Flanagan isn’t what I’d call an inspired choice, he did a decent enough job with The Haunting of Hill House on Netflix, but I haven’t been overly impressed with his feature film work. For some reason, some people see him as some sort of horror auteur, which I assume is how he got this gig.

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Movie Review – The Lost Weekend

The Lost Weekend (1945)
Written by Charles Brackett and Billy Wilder
Directed by Billy Wilder

After working with Raymond Chandler on Double Indemnity, Billy Wilder felt drawn to develop the novel The Lost Weekend for film. Chandler was a notorious alcoholic, and his addiction greatly affected the production of that film. Wilder admired the craft and art that Chandler brought to his writing but was struck with how awful he became when craving drink. Wilder decided to dive into making this movie as a way to better understand what was going on in Chandler’s mind.

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TV Review – Star Trek: Picard Season One, Episode Two

Star Trek: Picard (CBS All Access)
Season One, Episode Two – “Maps and Legends”
Written by Michael Chabon & Akiva Goldsman
Directed by Hanelle M. Culpepper

I’ve read some criticism of Picard that is worth some thought. Longtime fans of the Star Trek franchise are disturbed at the portrayal of the Federation as xenophobic and exclusionary. This isn’t very reassuring when you look at Gene Roddenberry’s original vision of a utopian multi-species society where all peoples were accepted. But, I think it is worth examining what happens over time when such an organization goes through changes in leadership and the landscape upon which they operate shifts. The reticence of the Federation to aid the Romulans makes sense because they have little trust in this adversary. They allowed their ambition to give them an excuse to step back. Maybe there was thought among some of the leadership that this would enable new worlds to leave the Romulan Empire and join the Federation.

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Movie Review – Double Indemnity

Double Indemnity (1944)
Written by Billy Wilder and Raymond Chandler
Directed by Billy Wilder

Damn, that was a good movie. You will, of course, feel like you’ve seen and heard this before, which speaks more to the profound influence this entry into the film noir genre has had on the culture. It’s said to be the movie that set the standard for all film noir to come after. A few months ago, I watched the pilot episode of Columbo and was reminded of how similar the murder plans are. You may recall The Coen Brothers’ Blood Simple or The Man Who Wasn’t There, both obvious nods to this masterwork. I can’t express how satisfying it is to finally see a film held up as a significant part of the canon and see that it truly lives up to the hype.

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Movie Review – Elmer Gantry

Elmer Gantry (1960)
Written by Richard Brooks and Sinclair Lewis
Directed by Richard Brooks

When you look at the Joel Osteens and megachurches of our time, you need to understand they came out of the evangelical Christian movement. This fire & brimstone rhetoric taught people that the path to material happiness was through submission to the Lord primarily through giving up their income to the Church. Little was offered in exchange, save a euphoric fervor that lasted long enough for the revival grifters to make tracks to the next town. Then the wave of spiritual enlightenment faded, and the townspeople waited until the next grinning preacher came riding into town with promises of a cure for what ails you.

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