Seth Harris

The Best Pillar of Light Movies

There’s a trope that has become infamous in recent years, especially with superhero movies: The Pillar of Light. You know the image, the villain is close to succeeding in their master plan, and the final step involves a device that fires a blue beam of light into the sky. The purpose of this light often doesn’t make sense and is always stopped before it does whatever it was intended to do. The trope has popped up in many Transformers movies as well as a handful of Marvel movies.

Most recently the blue pillar of light was seen in the trailer and on the poster for Godzilla: King of Monsters. I decided to list my five favorite pillars of light, regardless of how the movie ranks on my personal list.

Movie Review – The Revenant

The Revenant (2015)
Written by Mark L. Smith and Alejandro G. Iñárritu
Directed by Alejandro G. Iñárritu

If you could combine the pantheistic mysticism of Terence Malick with the primal brutality of Cormac McCarthy, you would have The Revenant. Set in the year pre-American Westward Expansion, The Revenant follows Hugh Glass, a white scout guiding a fur trapping crew into the dangerous Shawnee territory. Glass mostly keeps to himself and fraternizes only with his half-Native son Hawk. It doesn’t take long for the trapping operations to come under attack and those men who survive the assault head down river to find a route back to the safety of Fort Kiowa. The full brute force of nature is on display as the planned escape doesn’t go, and Glass finds himself coming to the borders of life and death.

Comic Book Review – Identity Crisis

Identity Crisis
Reprints Identity Crisis #1-7
Written by Brad Meltzer
Art by Rags Morales

The recently concluded Heroes in Crisis mini-series, written by Tom King, has been the focus of massive negative attention online. The series is so fresh that I still am not sure what my take on the overall piece is and it’ll warrant a re-read soon. The intent of Heroes in Crisis was to talk about the PTSD superheroes would experience as part of their line of work. Thirteen years ago, novelist Brad Meltzer was tasked with composing a similar event comic centered around a dark revelation from the Justice League’s past, an opportunity to tell a very adult story in the DC Comics universe. There is an emphasis on the long-term emotional toll that comes with being a superhero, and Identity Crisis seems to have garnered even more considerable enmity in the decade-plus since it was released. This summer we’ll be looking at the series of events books that started with this one and redefined DC Comics for the mid-to-late 2000s.

May 2019 Digest

Features
Best of the 2010s: My Favorite Films of 2012

Movie Review – steve jobs

steve jobs (2015)
Written by Aaron Sorkin
Directed by Danny Boyle

Heroes can often be rotten people behind the scenes. Steve Jobs, while often canonized as a saint of American industry and technology, was not a very nice person, especially to the daughter he denied for decades. When making a film about the creator of the revolutionary Macintosh computer, it would be easy to go the usual biopic route that displays all sorts of corny and cliched foreshadowing that can make the audience think themselves clever. Instead, writer Aaron Sorkin structures this film like a three-act stage play with each act being the minutes before one of Jobs famous unveilings. 1984’s Macintosh reveal, 1988’s embarrassing NeXT launch, and 1998’s glorious return to glory iMac announcement. There are repetitious refrains, almost like a piece of music, characters as themes returning in variation. All of this adds up to a brutally honest portrayal of Steve Jobs that doesn’t seek to frame him as a “great man” but a flawed man with some great ideas.

Movie Review – Carol

Carol (2015)
Written by Phyllis Nagy
Directed by Todd Haynes

As a gay person, Todd Haynes is always looking back to those times when his sexuality was not given a space to exist in the light much less even acknowledged as legitimate. He’s gone back to the turning point of the 1970s with the glam rock scene of Velvet Goldmine, explored the horrors across time of discovering one’s sexuality in Poison and with Carol he seems to have found a place where joy can be found yet still constrained by the mores of the period. Carol is an exploration of two women’s love affair yet should connect with all members of the audience who have found themselves caught up in their passions and were a complex mix of happiness and anxiety. This is a film about the effervescence of love, the frustrating intangibility of connecting with another.

Best of the 2010s: My Favorite Films of 2012

It’s Such a Beautiful Day (directed by Don Hertzfeldt)
From my review: Hertzfeldt can take us to heart-rending moments of illumination. There’s a memory Bill has of a time when he was staring out at the sea and contemplating “all the wonderful things he will do with his life.” That moment is led into with grace and empathy and never underlined by the filmmaker. It is the audience who will make the connections with the facts and emotions of the scene: Bill’s memories feeling like he’s living in them only to encounter a moment where he had all possibilities laid out before him. He’s snapped back to the present, his situation very dire and his whole self in a state of deterioration.

Comic Book Review – Power Rangers: Shattered Grid

Power Rangers: Shattered Grid
Reprints Mighty Morphin Power Rangers #24-30, 2018 Annual, Free Comic Book Day Special, Go Go Power Rangers #8-12, and Shattered Grid finale
Written by Kyle Higgins and Ryan Parrott (with Anthony Burch, Caleb Goellner, Adam Cesare, Becca Barnes, and Alwyn Dale)
Art by Jonas Scharf, Dan Mora, Marcus To, Dylan Burnett, Patrick Mulholland, Hyeonjin Kim, Simone Di Meo, Daniele Di Nicuolo, and Diego Galindo

Power Rangers has seen twenty-six different versions of the original premise from the first Mighty Morphin variety to the current Ninja Steel just launched Beast Morphers. I came of age just a bit too old to be a fan, but due to younger siblings in the house, I ended up watch much of the first season of the Fox Kids series. I know of the original group of teenagers and the evil of Rita Repulsa. After that era, I go blank. Boom Comics acquired the license to make comics based on Power Rangers a couple of years ago, and this reimagining came from writer Kyle Higgins. The books are a little more involved, fleshing out the families of the Rangers and making the city of Angel Grove feel a little bigger. With Shattered Grid, Higgins does the impossible and brings together the two dozen versions of the Rangers in one epic tale.

Movie Review – Tangerine

Tangerine (2014)
Written by Sean Baker and Chris Bergoch
Directed by Sean Baker

From the opening moments, you know you are in for a nonstop burst of energy in Tangerine. Much like Sin-Dee who refuses to smoke a joint because she only does uppers, this film has a continual momentum. This dynamic is aided by the technique of filmmaking on display, an iPhone with some apps and at times a Steadicam rig. That sense of rolling energy is supported by this incredibly new mode of making movies and with our two trans main characters. Sean Baker is doing something very experimental yet familiar, made apparent with his use of the old standard “Babes in Toyland.” Baker wants to blend the modern with the classic and create a new kind of film.

Movie Review – Leviathan

Leviathan (2014)
Written by Andrey Zvyagintsev & Oleg Negin
Directed by Andrey Zvyagintsev

In American cinema, there is a tradition of the plucky underdog who has all the odds stacked against him and still manages to come out on top. There is no such archetype in Russian films where the idea of a lone figure having the ability to overcome the bureaucratic power is laughable. Inspired by the bulldozer rampage of Marvin Heemeyer of Colorado, director Andrey Zvyagintsev reimagines that story through a Russian lens of powerlessness. Leviathan is such a searing pointed portrayal of modern Russia and its ugliness that Zvyagintsev, who had received government funds to help finance this film, caused the Ministry of Culture to rewrite their conditions on how a movie gets their support. Films must not “defile” the Russian culture, which is another way of saying they must support the party line and be propaganda.